Nathan McCree & Johann Strauss Sr.Estimated trophy difficulty: 3/10 ( Estimated Time to Platinum)Īpproximate amount of time to Platinum: 16-20hrs+ ( Platinum Difficulty) New Japan Philharmonic - The Great Medley Masaya Matsuura & Yoshihisa Suzuki - Chop Chop (Master Onion's Rap) Greg Weber & Steve Henifin - Cemetery Stage Manaka Kataoka, Yasuaki Iwata & Hajime Wakai - Kakariko Village (Day) I will, of course, be keeping you updated through here, but until things develop, I hope you enjoy this latest episode of The Sound Test LIVE!" From this episode, Dale and I will be a lot more regular and reliable with this show, and I have plenty of content planned for 2019. "Happy New Year! It's been one of the most insane festive periods for me this year, so I hope you guys understand as I land kind of slowly into the new year. That's why there are no pictures or anything fancy going on here - nevertheless, I hope you enjoy this time machine back to the past and I hope to see some of the old regulars in the LIVE chat! So, I used my step-mother's laptop (yes!) to remaster this old show with Dale from the very beginning of 2019. I miss it dearly, and still have many interviews to publish. It's not nice, and I wish I could keep the VGM going like I used to - but I'm far from done with The Sound Test. Not only has my situation stopped me from working, but I don't even have access to my old equipment. Unfortunately, The Sound Test has been forced into a lengthy hiatus due to a very difficult personal situation I'm going through. Original episodes of The Sound Test LIVE, with Dale Fowler, are available through Patreon: Mahito Yokota, Toru Minegishi, Koji Kondo & Yasuake Iwata - World 8 Finally, keep your ears pricked for a bespoke mini-puzzle I've snuck into the audio! And that's not all! I'm also more than happy to welcome Wabi Sabi Sound's Andrew Lackey onto the show for one of my most fascinating interviews, all about the audio of The Witness. As a result, I get caught up in the windmills of nostalgia while presenting a rich playlist of great VGM. In this second episode, I take a good long look at probably my favourite gaming genre - puzzles. Pledge to this Patreon to help support The Sound Test's second season, and unlock backdated episodes of its LIVE version (and other content)!Ī brand new iteration of The Sound Test, in which I explore my top five VGM tunes from any particular topic. My inner child can hardly believe I'm releasing this particular episode, and I hope you enjoy it too! rock stations to that pedestrian who shouts, "Dickwad!" whenever you drive past. We cover it all, from The Ballad of Chapped Lips Calhoun to the infectious funk of Stylus Exodus from forgotten prog. If you're familiar with their innovative radio stations and impressive bespoke tracks, this episode is guaranteed to please. This is a real dream interview for me, as I consider the GTA franchise to be just about my favourite of all time especially thanks to some of my earliest memories playing the original top-down classics that started it all. At the end, we even fit in a little discussion of Crackdown - another game Colin worked on, which we both consider to have more than a few connections to Grand Theft Auto. Colin was heavily involved in the music and audio of the franchise in its early days, and we talk in-depth about his contributions to both GTA 1 and 2. My next episode will concentrate on the music of thatgamecompany, with their principle composers - Vincent Diamante and Austin Wintory.Įarly access, unedited interviews, LIVE shows and more:įor this bonus, it's my great honour to welcome Colin Anderson onto The Sound Test for a lengthy talk about Grand Theft Auto. It's been some time in the making, but I'm back! Expect more Sound Test documentaries in the future, including further insight from George and Clint. #The pathless redwood steppe timer puzzle seriesI'm very pleased to present this jam-packed conclusion to a long and rewarding series of LucasArts podcasts. #The pathless redwood steppe timer puzzle PcAlong the way, all three guests take an extended look at PC sound chips, and how they evolved across the digital audio revolution. I'm also pleased to present more insight from the incomparable George Sanger, who wrote dynamic soundtracks for games like Capture the Flag and Wing Commander (before the creation of iMUSE). iMUSE was instrumental to the development of dynamic and interactive music through the 90s, and I welcome back Peter McConnell and Clint Bajakian to discuss its impact. This final part of my LucasArts trilogy takes an in-depth look at the innovative iMUSE system.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |